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E major 1840 Piano, original exists in two versions 163e — Album Leaf ("Quasi mazurek in C major") pf C major 1843 Piano, original 164 A 66 Albumblatt ("Feuille d'album" No.1) pf E major 1840 Piano, original based on S.210 164a — Album Leaf ("Vienna") pf E major 1840 Piano, original 164b — Album Leaf ("Leipzig") pf E ♭ major 1840 Piano ...
List of compositions for saxophone, piano and percussion; List of compositions for two violins; List of compositions for viola: A to B; List of compositions for viola: C to E; List of compositions for viola: F to H; List of compositions for viola: I to K; List of compositions for viola: L to N; List of compositions for viola: O to R
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
Frédéric Chopin's First Piano Concerto starts in E minor, but the last two movements are in E major. His Étude Op. 10, No. 3, one of his best known works, is in E major. His last Nocturne, Op. 62 No. 2, and his final Scherzo No. 4, are also in E major. A lesser-known work in the key is the Moderato in E major, WN 56.
Each Consolation is composed in either the key of E major or D ♭ major. E major is a key regularly used by Liszt for religious themes. [3] [4] There exist two versions of the Consolations. The first was composed by Liszt between 1844 and 1849 [5] and published in 1992 by G. Henle Verlag. [6]
Piano Concerto No. 3 (Bartók) Piano Quartet in E major (Saint-Saëns) Piano Quintet No. 2 (Farrenc) Piano Sonata in E major, D 157 (Schubert) Piano Sonata in E major, D 459 (Schubert) Piano Sonata No. 9 (Beethoven) Piano Sonata No. 30 (Beethoven) Piano Trio No. 4 (Mozart) Piano Trio No. 44 (Haydn) Prelude (Toccata) and Fugue in E major, BWV 566
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarole in F ♯ major, Op. 60 have cemented a solid place within the repertoire, as well as shorter works like his polonaises, mazurkas, waltzes, impromptus, rondos, and nocturnes taking a substantial portion of recorded and ...