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200 Best Christmas Songs ... This cover keeps the signature guitar intro. 36. The Pretenders, "2,000 Miles" ... sweet voice pairs beautifully with piano on this nostalgic-sounding modern carol.
Acoustic Christmas Carols: Cowboy Christmas II is the twenty-second album by American singer-songwriter Michael Martin Murphey and his second album of Christmas music. Recorded at St. James Episcopal Church in Taos, New Mexico, the church Murphey attended at the time, the album consists of carols from the nineteenth century or earlier played on ...
Featured on her album Home For Christmas, the song peaked at #6 on Billboard's Holiday Songs chart in 2002. [265] Christina Aguilera: 2000 Featured on her album My Kind of Christmas, the song peaked at #31 on Billboard's Holiday 100 in 2015. [266] Toni Braxton: 2001 Peaked at #14 in 2001 on Billboard's Holiday Songs chart. [267] James Taylor: 2001
"Christmas (Baby Please Come Home)" is a pop song originally sung by Darlene Love and included on the 1963 compilation album A Christmas Gift for You from Philles Records (later renamed A Christmas Gift for You from Phil Spector). The song was written by Ellie Greenwich, Jeff Barry, and Phil Spector.
Ten-year-old Gayla Peevey performed "I Want a Hippopotamus for Christmas" in 1953 and her version remains one of the silliest (and the most popular) Christmas songs on radio waves each year. 6 ...
"Easter Theatre" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1999 album Apple Venus Volume 1. According to Partridge, the lyrics were an attempt to match a "muddy" ascending chord progression.
"Linus and Lucy" is a popular instrumental jazz standard written by American jazz pianist Vince Guaraldi. It serves as the main theme tune for the many Peanuts animated specials and is named for the two fictional siblings, Linus and Lucy Van Pelt.
The Bristol-based composer, conductor and organist Arthur Warrell (1883–1939) [1] is responsible for the popularity of the carol. Warrell, a lecturer at the University of Bristol from 1909, [2] arranged the tune for his own University of Bristol Madrigal Singers as an elaborate four-part arrangement, which he performed with them in concert on December 6, 1935. [3]