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The delay setting determines the length of silence between hitting a note and the attack. Some software synthesizers, such as Image-Line's 3xOSC (included with their DAW FL Studio) have DAHDSR (delay, attack, hold, decay, sustain, release) envelopes. A common feature on many synthesizers is an AD envelope (attack and decay only).
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
The pedal is unique in that the full-wave rectification of the circuit produces an upper octave as well as a slight lower octave. This also gives the sound a lot of compression and a mild ring modulator effect. A second unique feature is a tone switch that engages a 1 kHz filter that "scoops" the mids, giving a fat, bassy tone. [18]
A footswitch pedal such as the "A/B" pedal routes a guitar signal to an amplifier or enables a performer to switch between two guitars, or between two amplifiers. This footswitch controls an effect (distortion), but it is not an effects pedal as the case does not contain effects circuitry; it is just a switch.
Toggle Switches: The Mightier Mouse mod involves a 3-way switch to select between RAT / RAT2 (clipping via silicon diodes), Turbo RAT (clipping via red LEDs), and FAT RAT (MOSFET clipping) modes. It also shows an alternative to the Ruetz RAT mod by using a potentiometer or trimpot to replace the resistor instead of cutting it out of the circuit.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
The DS-1 redefined distortion by bringing tight, aggressive high-gain tones to the pedal world for the first time. [2] Boss released a successor, the DS-2. [3] The DS-2, "Turbo Distortion" was released in 1987, and is very similar to the DS-1 except that it features a "turbo" setting, which produces a sharper midrange tone. [4]
It has a 1/4" input for a sustain pedal, a USB-B port (for MIDI out and power) and a USB-A port (for charging peripherals). It provides full MIDI compatibility over USB and Bluetooth LE. All the white markings light up with white when the RISE is powered and the control buttons have a backlight, which is constant for some buttons and pads, but ...