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Heather Phares of AllMusic rated two-and-a-half out of five, and summarized: "Presumably, the only people interested in this soundtrack will be either people who enjoyed the movie or die-hard Elfman fans; the former already know what to expect, while the latter might wonder if Elfman—or his music, anyway—hasn't undergone some strange transformation."
For a sequence where Ant-Man surfs down a water pipe on a raft made of ants, Beck began arranging the theme as a "regular action cue" but found it "a little too intense for the scene". Reed wanted it to have more of a sense of fun, and Beck eventually wrote a piece evoking the "classic guitar surf music", but with the orchestra rather than a ...
The Hulk and the Abomination both have two themes, representing their human and monstrous forms. The Hulk's theme was meant to be iconic and simple, like Jaws (1975), with string glissandos on a bass C note. Banner's theme is tragic and includes parts of Joe Harnell's "The Lonely Man" theme from the television series.
It describes Red Hulk as General Thaddeus E. Ross, a man who "devotes his life to the U.S. Air Force and spends his career hunting the Hulk, ultimately becoming that which he hates the most: the ...
The soundtrack received mixed reviews from critics in the music community. Christopher Coleman of TrackSounds gave it a 5 out of 10, citing the opening theme, "Homecoming: Suite", and "The Lonely Man" as unforgettable, while also stating that many of the other tracks are typical seventies fare that could easily fit into any other popular series of that time. [2]
Brian Banner debuted in The Incredible Hulk vol. 2 #267 (January 1982), created by Bill Mantlo and Sal Buscema. [5] He appeared in the 2010 Immortal Hulk series, [6] the 2018 Immortal Hulk series, [7] and in the 2020 Immortal Hulk #0 one-shot, his first solo comic book. [8]
The Maestro is a supervillain appearing in American comic books published by Marvel Comics.Created by writer Peter David and artist George Pérez, the character first appeared in The Incredible Hulk: Future Imperfect #1 (Dec. 1992).
"Cruisin'", also known as "Lucy and Ramona and Sunset Sam", is the last single to be released by Michael Nesmith as a solo artist. The song was released in 1979 under Pacific Arts (PAC 108) from the album Infinite Rider on the Big Dogma.