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The Decision (play) Don Juan (Brecht) Downfall of the Egotist Johann Fatzer; Downfall of the Egotist Johann Fatzer (American premiere) Driving Out a Devil; Drums in the Night; The Duchess of Malfi (Brecht)
Brecht, in his typical anti-realist style, uses the device of a "play within a play".The "frame" play is set in the Soviet Union around the end of the Second World War.It shows a dispute between two communes, the Collective Fruit Farm Galinsk fruit growing commune and the Collective Goat Farmers, over who is to own and manage an area of farm land after the Nazis have retreated from a village ...
The central theme of the confrontation of the individualistic urges of a strong (male) individual (Fatzer) versus the solidarity to a group is described by Müller as Brecht's immense effort to consolidate the stance of his early plays with the new Marxist approach to the Lehrstücke, as "attrition warfare Brecht against Brecht (=Nietzsche ...
It was the first premiere of Brecht's final season at the Berliner Ensemble. [3] Willett identifies an instance of Brecht's lifelong indebtedness to Rudyard Kipling in the play's "Song of the Women of Gaa." [4] The production strongly influenced the English director William Gaskill's reinterpretation of Farquhar's original play for the National ...
In the current publication, the Arcade edition was translated from Brecht's final revision in 1954 by Gerhard Nellhaus (and by Brecht himself, who made his own English version of the first scene). The Bentley translation is based on public domain material of 1926, many years before Brecht finished revising the play. [5]
Today, Paul Dessau's composition of the songs from 1947 to 1948, also authorized by Brecht, is the better-known version. The play is an example of Brecht's "non-Aristotelian drama", a dramatic form intended to be staged with the methods of epic theatre. The play is a parable set in the Chinese "city of Sichuan". [4]
Wuolijoki suggested a collaboration with Brecht on an entry for a competition run by the Finnish Dramatists' League for a "people's play," whose deadline was to fall in October. [5] The title page of Brecht's play describes it as "a people's play" that is "after stories and a draft play by Hella Wuolijoki."
Like many of Brecht's plays it is laced with humor and songs as part of its epic dramaturgical structure and deals with the theme of emancipation from material suffering and exploitation. [2] The environment of the Chicago stockyards was well-known to left-wing activists worldwide due to Upton Sinclair's 1906 novel The Jungle.