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Noh masks (能面 nō-men or 面 omote) are carved from blocks of Japanese cypress (檜 "hinoki"), and painted with natural pigments on a neutral base of glue and crushed seashell. There are approximately 450 different masks mostly based on sixty types, [ 23 ] : 14 all of which have distinctive names.
The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
The Noh masks of the Konparu school are a set of 47 noh masks formerly owned by the famous Konparu family of noh actors and playwrights, now part of the collection of the Tokyo National Museum. These masks span five centuries, from the Muromachi to the Edo period (15th to 19th century), and are designated Important Cultural Properties.
Though primarily performed for Buddhist ceremonies, it significantly influenced later Japanese mask theater, particularly Noh. Its techniques for mask-making, including the use of carved wood and painted features, established foundations for Noh mask craftsmanship. The practice of using masks to represent specific character types became a ...
Noh is one of the four major types of Japanese theatre.. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment kyōgen; kabuki, a dance and music theatrical tradition; bunraku, puppetry; and yose, a spoken drama.
Bidou Yamaguchi (山口 毘堂, Yamaguchi Bidō), a master Noh mask carver in the Hōshō tradition, was born Yamaguchi Hiroki on February 28, 1970, in Fukuoka, Fukuoka, on the island of Kyūshū in Japan.