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How I love your caterpillar." [3] Little Arabella Miller Had a fuzzy caterpillar. First it climbed upon her mother, Then upon her baby brother. They said, " Arabella Miller, Put away your caterpillar!" [4] Little Arabella Miller Found a hairy caterpillar, First it crawled upon her mother, Then upon her baby brother. All said, "Arabella Miller,
"Caterpillar" is a song by American rapper Royce da 5'9" featuring fellow American rappers Eminem and King Green, released as the fourth single from the former's seventh studio album Book of Ryan (2018). Produced by Symbolyc (S1) One and Epikh Pro, it was released for digital download through iTunes on May 3, 2018.
Beware! Three Early Songs is a song cycle for voice and piano composed by Benjamin Britten and set to texts by Herbert Asquith, Robert Burns and Henry Wadsworth Longfellow. "Beware!" and "O that I had ne'er been Married" were composed in 1922, and are considered examples of Britten's juvenilia, as they were composed at the age of 10.
"The Caterpillar" is a song by English rock band The Cure, released as the sole single from their fifth studio album The Top (1984), on 30 March 1984. It was written by Robert Smith and Lol Tolhurst. It spent seven weeks in the UK Singles Chart, peaking at number 14 on 7 April of that year. [2]
"Fuzzy wuzzy had no hair" - the formula explaining why the fuzzy wuzzies did so well was a clean, square root relationship, not a complex, "hairy" one. The strength of the forces scaled only linearly with the firepower of the British troops, but with the square of the numerically superior fuzzy wuzzy troops.
Galore is a compilation album released by Kirsty MacColl in 1995. It features material previously released on the studio albums Desperate Character (1981), Kite (1989), Electric Landlady (1991) and Titanic Days (1993), among other tracks by MacColl, totalling eighteen songs.
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Fuzzy Logic is the debut album by the Welsh rock band Super Furry Animals.Recorded at Rockfield Studios in Wales, and released on the Creation label in May 1996, it was positively received by critics, who felt it was an eclectic if inconsistent mix of psychedelic music and glam rock, and was included in Q Magazine's list of recordings of the year.