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So Far, So Good... So What! is the third studio album by American thrash metal band Megadeth, released on January 19, 1988, by Capitol Records. [1] It was the band's only album recorded with drummer Chuck Behler and guitarist Jeff Young, both of whom were fired from the band in early 1989, several months after the completion of the album's world tour.
Megadeth's first major-label album, Peace Sells... but Who's Buying?, was released in 1986. Before the recording of the band's third album, Mustaine fired Poland and Samuelson; they were replaced by Jeff Young and Chuck Behler, respectively. The new lineup debuted on So Far, So Good... So What! in early 1988.
Anthology: Set the World Afire is the third greatest hits album by Megadeth.It was released on September 30, 2008, through Capitol Records.It is a two-disc set with additional songs not offered in previous compilations including demos, live performances and unreleased tracks.
In May, Megadeth finished recording its twelfth album, Endgame. [202] The release date for Endgame was announced on the Megadeth official website, and Metal Hammer was the first to review the album track-by-track. [203] Megadeth began its Endgame tour in October, and finished it in December.
Similarly, Chad Bowar of About.com said that the album captured Megadeth in their prime, and recommended it as a "mandatory" recording for the fans of this genre. [49] Sputnikmusic's Mike Stagno named the album a "bona-fide masterpiece" and said it was the main reason why Megadeth became one of the leading acts of the underground scene. [55]
Thirteen (stylized as Th1rt3en) is the thirteenth studio album by American thrash metal band Megadeth. It was first released in Japan on October 27, 2011, and worldwide on November 1, 2011. It is the first Megadeth studio album since The World Needs a Hero (2001) to feature bassist and founding member David Ellefson, who returned to the band in ...
One of the most apt and unquestioned honorific nicknames in popular music is the Queen of Hip-Hop Soul. Mary J. Blige was born in the Bronx in the early ’70s, much like hip-hop itself. By the ...
In a retrospective review for KNAC, Frank Meyer said that the album put Megadeth at the forefront of heavy metal scene in the early 1980s and credited it for paving the way for thrash metal's arrival. [23] CMJ New Music Report praised Mustaine's "masterful" wordplay and called the record a representative of "the golden age of speed metal". [51]