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The Torre della Ghirlandina or simply Ghirlandina is the bell tower of the Cathedral of Modena, in Emilia-Romagna, Italy. Standing at 86.12 metres, the tower is the traditional symbol of Modena, being visible from all directions outside the city. The structure was set up in 1179 on five floors, initially called Torre di San Geminiano.
Pages in category "Bell towers in Italy" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. B.
The principal church in Vietri sul Mare is the Church of St. John the Baptist, a late Neapolitan Renaissance style building with a high bell tower. A previous church dated from the 10th century. It contains a coffered gold ceiling, a 17th-century marble altar, an alabaster statue of the Saint, and an 11th-century wooden crucifix.
The Torrazzo is the bell tower of the Cathedral of Cremona, Lombardy, in northern Italy.. The Torrazzo measures 112.54 metres (369 + 1 ⁄ 4 ft), [1] and it is known as the third tallest brickwork bell tower in the world, the first being the tower of St. Martin's Church in Landshut, Bavaria, and the second at the Church of Our Lady in Bruges, Belgium.
The loggetta of the bell tower, designed by Jacopo Sansovino. In the fifteenth century, the procurators of Saint Mark de supra erected a covered exterior gallery attached to the bell tower. It was a lean-to wooden structure, partially enclosed, that served as a gathering place for nobles whenever they came to the square on government business.
Bell towers in Italy (9 P) C. Cable-stayed bridges in Italy (3 P) Towers in Italy by city (7 C) Clock towers in Italy (11 P) L. Lighthouses in Italy (1 C, 135 P) S.
The Leaning Tower of Pisa (Italian: torre pendente di Pisa [ˈtorre penˈdɛnte di ˈpiːza,-ˈpiːsa] [1]), or simply the Tower of Pisa (torre di Pisa), is the campanile, or freestanding bell tower, of Pisa Cathedral. It is known for its nearly four-degree lean, the result of an unstable foundation.
The octagonal bell tower has the first example of public clock (before, sun-dials were used). The interior was restored in the Neoclassicist era by Giocondo Albertolli . Of the original church, part of the Giottesque Crucifixion , a canvas with St. Charles Borromeo by Giovan Battista Crespi and the tomb of Azzone Visconti remain.