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The clavier à lumières ("keyboard with lights"), or tastiera per luce, as it appears in the score, was a musical instrument invented by Alexander Scriabin for use in his work Prometheus: Poem of Fire.
The song's original arrangement was described by Jimmy Chamberlin as "folk/calypso" and was eventually slowed down and made much heavier for the recorded version. [2]In early 2008, "Doomsday Clock" was licensed to the professional wrestling outfit Ring of Honor for use as the theme song of the taped pay-per-view, ROH Undeniable.
"Beguiled" is a song by the American alternative rock band The Smashing Pumpkins. It was released as the first single from their twelfth studio album, Atum: A Rock Opera in Three Acts on September 20, 2022.
The first movement is characterized by a series of light, pulsing chords that reappear periodically throughout the movement, with slight variations with each recurrence. The solo violin enters early in the movement playing fairly rapid arpeggios that gradually extend to encompass the full range of the instrument.
"I Got the Sun in the Mornin' (and the Moon at Night)" is a song from the 1946 musical Annie Get Your Gun, written by Irving Berlin and originally performed by Ethel Merman. [1] [2] Hit recordings in 1946 were by Les Brown (vocal by Doris Day) (No. 10 in the Billboard charts) and by Artie Shaw (vocal by Mel Torme) (No. 17).
"Today" was one of the most successful early singles by the Smashing Pumpkins, and additionally has been recognized as one of the songs that brought the Pumpkins into the mainstream. The song was, at the time of its release, the highest-charting song by the band, peaking at number four on the Billboard Modern Rock Tracks. [21]
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The tune was written originally as "Amarren Al Loco" ("Tie Up The Madman" or "Tie Up That Lunatic") by Cuban bandleader Rosendo Ruiz Jr. (also known as Rosendo Ruiz Quevedo), [28] but became best known in the "El Loco Cha Cha" arrangement by René Touzet which included "three great chords, solid and true" [29] and a ten-note "1-2-3 1–2 1-2-3 ...