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Mechanically animated figures, known as automata, have been created at least since antiquity. Early examples of attempts to capture the phenomenon of motion into a still drawing can be recognised in paleolithic cave paintings, for instance in the Cave of Altamira, where animals are sometimes depicted with multiple legs in superimposed positions.
Today, computer animation is the dominant animation technique in most regions (hand-drawn animation continues to be very popular outside of the USA; for example, Japanese anime and European hand-drawn productions). Computer animation is mostly associated with a three-dimensional appearance with detailed shading, although many different ...
1905 – How Jones Lost His Roll, the first example of stop-motion animation in American film.; [114] The Whole Dam Family and the Dam Dog, early example of cutout animation [115] 1906 – Humorous Phases of Funny Faces, The House of Ghosts; 1907 – KatsudÅ Shashin, the oldest known work of animation from Japan.
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John Whitney Sr. (1917–1995) was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. [1] In the 1940s and 1950s, he and his brother James created a series of experimental films made with a custom-built device based on old anti-aircraft analog computers (Kerrison Predictors) connected by servomechanisms to control the motion of lights ...
An early use of real-time computer graphics or "digital puppetry" to create a character in a motion picture. [36] The Rescuers Down Under: First 2-D animated film to be produced with solely digital ink and paint . First fully digital feature film. Backdraft: 1991 First use of photorealistic CGI fire in a motion picture. [36]
Early animation; representation of a hallucination [13] 1911: The Automatic Moving Company: Romeo Bosetti and/or Émile Cohl: France: Often attributed to Émile Cohl; recent scholarship points toward Bosetti. [14] A Chord of Color: Bruno Corra, Arnaldo Ginna: Italy: Abstract animation, Lost film [15] Study on the Effects of Four Colors: Bruno ...
Mickey and Minnie Mouse in Plane Crazy, one of the earliest golden-age shorts. The golden age of American animation was a period that began with the popularization of sound synchronized cartoons in 1928 and gradually ended in the 1960s when theatrical animated shorts started to lose popularity to the newer medium of television.