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"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, [2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, [3] would provide fertile ground for ...
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.
The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations. During this time, Jarrett received a letter from producer Manfred Eicher asking if he would like to record for the relatively new ECM label. [ 31 ]
Piano Jazz won a Peabody Award in 1983. The show is an exclusive production of South Carolina public radio on WLTR and is offered nationally by NPR. A number of shows have been released commercially on CD or LP, including shows with Dizzy Gillespie , Bill Evans , Bruce Hornsby , Mary Lou Williams , Shirley Horn , Steely Dan [ 1 ] Milt Hinton ...
It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2] During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]
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Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.