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Mesopotamian music had a strong influence in ancient Greece. The practice of deifying string instruments was sometimes echoed in Classical Greece, but the mythology was modified resulting in the Greek ‘lyre heroes’ such as Orpheus, Amphion, Cadmus and Linus. [205] Like the Mesopotamians, the Greeks connected music to the planets.
Ugarit, where the Hurrian songs were found. The complete song is one of about 36 such hymns in cuneiform writing, found on fragments of clay tablets excavated in the 1950s from the Royal Palace at Ugarit (present-day Ras Shamra, Syria), [5] in a stratum dating from the fourteenth century BC, [6] but is the only one surviving in substantially complete form.
Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world, succeeding the music of prehistoric societies and lasting until the post-classical era. Major centers of ancient music developed in China, Egypt, Greece, India, Iran/Persia, the Maya civilization, Mesopotamia, and Rome.
Gabbay, Uri (2018). "Drums, Hearts, Bulls, and Dead Gods: The Theology of the Ancient Mesopotamian Kettledrum". Journal of Ancient Near Eastern Religions. 18. Brill. Kilmer, Anne (2001). The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. p. §8 Mesopotamia. Sachs, Curt ...
Anne Draffkorn Kilmer (1931 – 2023) was an American historian of the ancient Near East who served as a professor of Assyriology at the University of California, Berkeley. [1] She was an expert in ancient Mesopotamian culture, specifically Sumero-Akkadian cuneiform texts and the history of ancient music, games, and mathematics.
Music archaeology is an interdisciplinary field with multifaceted approaches, [6] falling under the cross section of experimental archaeology and musicology research. [7] Music archaeology research aims to understand past musical behaviors; this may be done through methods such as recreating past musical performances, or reconstructing musical instruments from the past.
A Hurrian Musical Score from Ugarit: The Discovery of Mesopotamian Music, Sources from the Ancient Near East, vol. 2, fasc. 2. Malibu, CA: Undena Publications. ISBN 0-89003-158-4; Fink, Robert (1981). The Origin of Music: A Theory of the Universal Development of Music. Saskatoon: Greenwich-Meridian. Gütterbock, Hans (1970). "Musical Notation ...
In classical and ancient cultures, donkeys had a part. The donkey was the symbol of the Egyptian sun god Ra. [1] In Greek myth, Silenus is pictured in Classical Antiquity and during the Renaissance (illustration, left) drunken and riding a donkey, and Midas was given the ears of an ass after misjudging a musical competition. [2]