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Detail, East window, St Peter's, Burnham Caricature of John Richard Clayton [2] In the 1850s a number of young designers worked in conjunction with the Gothic Revival architects in the provision of stained glass for new churches and for the restoration of old. These included John Richard Clayton, Alfred Bell, Clement Heaton, James Butler ...
Clarke's original lamps feature a fairy embossed into the bottom, and they became so popular that all small candle-based lamps became known as "fairy lamps." They became extremely popular, due to the sudden affordability of mass-produced glass and candles, and were frequently used to illuminate nurseries, sickrooms, and hallways. [ 2 ]
The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
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An illumination is an Advent, Christmastide, and Epiphanytide decoration in the form of a lighted candle originating in the Moravian Church. [1] These lighted candles are placed in the windows of Moravian Christian churches and homes in the evening with the symbolism to "guide the footsteps of the infant Jesus" to their settlements.
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