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In Through the Out Door is the eighth studio album by the English rock band Led Zeppelin. [2] It was recorded in three weeks in November and December 1978 at ABBA's Polar Studios in Stockholm, Sweden, and released by their label Swan Song Records on 22 August 1979 in the US [3] and 24 August 1979 in the UK.
This was the last album released by the band before Bonham died of alcohol intoxication in 1980; Led Zeppelin disbanded less than three months later. [11] In 1982, Led Zeppelin released their last studio album, Coda, which contained outtakes from the band's previous recordings.
The first wave of albums, Led Zeppelin, Led Zeppelin II, and Led Zeppelin III, were released on 2 June 2014. [131] The second wave of albums, Led Zeppelin IV and Houses of the Holy, were released on 27 October 2014. [132] Physical Graffiti was released on 23 February 2015, almost exactly forty years to the day after the original release. [133]
Steve Birnbaum, the creator of The Band Was Here, has learned the art of blending history with the present moment. On his Instagram, he lines up iconic album covers, movie stills, and rare photos ...
Zeppelin would become the most dominant rock band on the planet for the next decade, with a blaze of classic songs, great albums and galvanizing tours until excess, tragedy and substance abuse ...
Captured here in Austin, Texas, in 2022, Robert Plant and Alison Krauss perform on their Raising the Roof Tour. Plant revisits he early years with Led Zeppelin in a new doc, "Becoming Led Zeppelin."
Tour Over Europe 1980 was the last concert tour by the English rock band Led Zeppelin. The tour ran from 17 June to 7 July 1980. The tour ran from 17 June to 7 July 1980. Nine of the tour's shows were performed in cities throughout West Germany, as well as one show each in Brussels , Rotterdam , Vienna , Zürich , and West Berlin .
Clockwise, from top left: Jimmy Page, John Bonham, Robert Plant, John Paul Jones Led Zeppelin were an English rock band who recorded 94 songs between 1968 and 1980. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles, [1] instead viewing their albums as indivisible, complete listening experiences, and disliked record labels re-editing ...