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The album's sleeve design was adapted from that of a hi-fi test record issued by Hi-Fi Sound magazine in 1969; [18] the record itself is sampled on the song "Jenny Ondioline". [19] The majority of the first 1,500 LP copies of Transient Random-Noise Bursts were destroyed due to bad pressing quality.
Stereolab's album and song titles occasionally reference avant-garde groups and artists. Gane said that the title of their 1999 album Cobra and Phases Group… contains the names of two Surrealist organisations, " CoBrA " and "Phases Group", [ 73 ] The title of the song "Brakhage" from Dots and Loops (1997), is a nod to experimental filmmaker ...
Ping Pong is a 1994 EP by the English-French avant-pop band Stereolab.It served as the lead single from their third full-length album Mars Audiac Quintet.Three limited 7" runs were released in green, black, and pink colors.
Sound-Dust is the seventh studio album by English-French rock band Stereolab.It was released on 28 August 2001 in North America by Elektra Records and on 3 September 2001 internationally by Duophonic Records. [17]
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Emperor Tomato Ketchup was released on 18 March 1996 in the United Kingdom by Duophonic Records, [6] and on 9 April 1996 in the United States by Elektra Records. [7] The artwork for the album was inspired by the LP cover sleeve of a 1964 recording of composer Béla Bartók's Concerto for Orchestra by the Bamberg Symphony conducted by Heinrich Hollreiser.
According to AllMusic critic Stephen Thomas Erlewine, Dots and Loops is primarily influenced by bossa nova and 1960s pop music. [5] Barney Hoskyns of Rolling Stone found that the album continued Stereolab's progression towards a lighter sound that he termed "avant-easy listening", [6] while Michelle Goldberg of Metro referred to it as the band's "lounge apotheosis". [7]
In a retrospective review for AllMusic, Tim Sendra stated that while "difficult at times, Cobra is Stereolab at their near best", effectively balancing the band's experimental and pop sensibilities. [14] Reviewing the album in 2019 for Uncut, Louis Pattison commented that in hindsight, "its charms are more evident". [20]