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"The Battle of Armageddon" is a hymn written by Roy Acuff and Odell McLeod. It warns of the coming Judgment Day and references the Book of Revelation . The song became associated with Hank Williams when MGM Records released it as a posthumous single.
"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
Rose had produced Williams' records and published his songs through his company Acuff-Rose. The Roy Acuff hymn "The Battle of Armageddon" was the B-side. "Thank God" was recorded between August 1948 and May 1949 at KWKH studio in Shreveport, Louisiana when the singer appeared on the Johnny Fair Syrup radio show. Williams dubbed himself "The Ol ...
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
The album included the track "Mr. Armageddon", released as a single and later included on several anthologies of progressive rock of the time, together with two tracks, "Coming Down" and "Love Song For the Dead Ché", which were versions of Joseph Byrd's songs for his band the United States of America.
This is a song that could be interpreted in a few ways: It may seem Swift is taking a mental snapshot of a child, wishing that child can hold on to the freeness of their youth before its tainted ...
The page currently talks about an "impending train wreck", but there's nothing in the lyrics to suggest this. The story is about the average man's struggles with life and its meaning in the industrialized world. Life in the industrialized world is too fast, hence the desperate need to "slow down".
Swift starts the song with the chorus that immediately makes her distaste for the subject of the song clear. “‘Cause, baby, now we got bad blood/ You know it used to be mad love/ So take a ...