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As a result, rectilinear lines in Kuba art depict natural patterns. Both in art and nature, these lines occasionally disrupt what we take to be geometric order. [5] The improvised patterns are mostly made using three methods: Cut Pile: After anchoring a small fiber to the base cloth, the raffia is cut. The texture of cut-pile stitching ...
More recently (2003), Mothibe, in a further contribution towards the cause of preservation, compiled and donated a second edition on litema designs entitled Basotho Litema Patterns (With Modifications) to the School of Design Technology and Visual Art of the Central University of Technology, Free State, providing an updated record of designs ...
Putting mats in a frame is called matting, a term which can also usually be used interchangeably with mat. The French term, occasionally used in English, is passe-partout . A picture (a photo or print, drawing, etc.) is placed beneath it, with the cutout framing it.
A greater variety in the patterns and functions exist in Ewe kente, and the symbolism of the patterns often has more to do with daily life than with social standing or wealth. Dagbon: The people are specialised in weaving the Chinchini. This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the ...
Because it is usually made by women, patterns and themes of the Adire are passed down from mother to daughter within families. However, certain motifs can depend on the artist's abilities and craftmanship, as well as skills taught from older generations. The patterns of Adire are often representations of plants, animals, tools, and conceptual ...
African Accents: Fabrics and Crafts to Decorate Your Home by Lisa Shepard. ISBN 0-87341-789-5; Adinkra Symbols: To say good bye to a dead relative or friend by Matthew Bulgin; Adinkra: An Epitome of Asante Philosophy and History by Dickson Adome, Erik Appau Asante, Steve Kquofi
Sotho woman wearing a brown shweshwe dress. Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [2] [3] Originally dyed indigo, the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.
The production of these imitation wax-print fabrics, allow those who cannot afford the European imported wax prints to be able to purchase them. The fancy print designs often mimic or copy the designs of existing wax print designs but as they are cheaper to make, manufacturers tend to take risks and experiment with new designs. [15]