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It is the standard development process for all modern motion picture color negative developing, including Fujifilm and other non-Kodak film manufacturers. All film stocks are specifically created for a particular development process, thus ECN-1 film could not be put into an ECN-2 development bath since the designs are incompatible.
Kodak Panchromatic Separation Film c. 1999 2023 [32] ESTAR-based version and 35 mm only too. 5242/7242 Kodak Vision Color Intermediate Film c. 1998 no: Process ECN-2. 2242/3242 Kodak Vision Color Intermediate Film c. 1998 no: ESTAR-based version of 5242. Process ECN-2. Number Name Intro. Disc.? Notes 5254/2254 Kodak Vision3 Color Digital ...
On Kodak film stocks, it remains consistent for the entire roll. Fuji Stocks will increment this number when the frame number advances past "9999". Computers read the (optional) frame offset (marked every four perforations on actual film by a single "-" dash) by adding digits to the Keykode after the plus sign.
For 35 mm film these are 0.1866" and 0.1870" (4.740 mm and 4.750 mm); for 16 mm film they are 0.2994" and 0.3000" (7.605 mm and 7.620 mm). This distinction arose because early nitrocellulose film base naturally shrank about 0.3% in processing due to heat, so film printing equipment was designed to account for a size difference between its ...
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. [1] As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film.
Eastman Kodak introduced their first 35mm color negative stock, Eastman Color Negative film 5247, in 1950. [9] A higher quality version in 1952, Eastman Color Negative film 5248, was quickly adopted by Hollywood for color motion picture production, replacing both the expensive three-strip Technicolor process and Monopack.
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
The Cineon System was one of the first computer based digital film systems, created by Kodak in the early 1990s. It was an integrated suite of components consisting a motion picture film scanner, a film recorder and workstation hardware with software (the Cineon Digital Film Workstation) for compositing, visual effects, image restoration and color management.