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Kodak Panchromatic Separation Film c. 1999 2023 [32] ESTAR-based version and 35 mm only too. 5242/7242 Kodak Vision Color Intermediate Film c. 1998 no: Process ECN-2. 2242/3242 Kodak Vision Color Intermediate Film c. 1998 no: ESTAR-based version of 5242. Process ECN-2. Number Name Intro. Disc.? Notes 5254/2254 Kodak Vision3 Color Digital ...
It is the standard development process for all modern motion picture color negative developing, including Fujifilm and other non-Kodak film manufacturers. All film stocks are specifically created for a particular development process, thus ECN-1 film could not be put into an ECN-2 development bath since the designs are incompatible.
The Cineon System was one of the first computer based digital film systems, created by Kodak in the early 1990s. It was an integrated suite of components consisting a motion picture film scanner, a film recorder and workstation hardware with software (the Cineon Digital Film Workstation) for compositing, visual effects, image restoration and color management.
On Kodak film stocks, it remains consistent for the entire roll. Fuji Stocks will increment this number when the frame number advances past "9999". Computers read the (optional) frame offset (marked every four perforations on actual film by a single "-" dash) by adding digits to the Keykode after the plus sign.
Kodak Alaris is a British-based company currently comprising two divisions: Alaris, hardware and software for digital imaging and information management; and Kodak Moments, retail photo printing kiosks and sales and marketing of traditional photographic film.
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. [1] As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film.
Eastman Kodak introduced their first 35mm color negative stock, Eastman Color Negative film 5247, in 1950. [9] A higher quality version in 1952, Eastman Color Negative film 5248, was quickly adopted by Hollywood for color motion picture production, replacing both the expensive three-strip Technicolor process and Monopack.
A film scanner scans original film stock: negative or positive print or reversal/IP. Units may scan gauges from 8 mm to 70 mm (8 mm, Super 8, 9.5 mm, 16 mm, Super 16, 35 mm, Super 35, 65 mm and 70 mm) with very high resolution scanning at 2K, 4K, 8K, or 16K resolutions. (2K is approximately 2048×1080 pixels and 4K is approximately 4096×2160 ...