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  2. Kodály method - Wikipedia

    en.wikipedia.org/wiki/Kodály_Method

    [2]: 159 These syllables are then used when sight-reading or otherwise performing rhythms. Rhythm syllables vary internationally. Some variants include te-te rather than ti-ti for eighth notes (quavers) and the use of both ti-ri-ti-ri and ti-ka-ti-ka for sixteenth notes (semi-quavers).

  3. Takadimi - Wikipedia

    en.wikipedia.org/wiki/Takadimi

    Takadimi is a system devised by Richard Hoffman, William Pelto, and John W. White in 1996 in order to teach rhythm skills. Takadimi, while utilizing rhythmic symbols borrowed from classical South Indian carnatic music, differentiates itself from this method by focusing the syllables on meter and western tonal rhythm.

  4. Counting (music) - Wikipedia

    en.wikipedia.org/wiki/Counting_(music)

    The Kodály Method uses "Ta" for quarter notes and "Ti-Ti" for eighth notes. For sextuplets simply say triplet twice (see Sextuplet rhythm.png ), while quintuplets may be articulated as "un-i-vers-i-ty", or other five-syllable words such as "hip-po-pot-a-mus". [ 4 ]

  5. Colored music notation - Wikipedia

    en.wikipedia.org/wiki/Colored_Music_Notation

    The students used the Cheve rhythm syllables, consisting of ta’s for quarter notes and ti-ti’s for eighth notes. The students were tested by sight-reading two exercises from a chalkboard and clapping and vocalizing the rhythmic notation. One test was in colored rhythmic notation and the other was uncolored.

  6. TaKeTiNa Rhythm Process - Wikipedia

    en.wikipedia.org/wiki/TaKeTiNa_Rhythm_Process

    The surdo stabilizes the basic rhythm of the steps, while call-and-response singing serves to destabilize and re-stabilize the rhythmic movements. In this process, the simultaneity of stabilization and destabilization creates a disturbance that allows participants to repeatedly fall out, and then fall back into rhythm. [ 1 ]

  7. Solmization - Wikipedia

    en.wikipedia.org/wiki/Solmization

    The system for other Western countries is similar, though si is often used as the final syllable rather than ti. Guido of Arezzo is thought likely to have originated the modern Western system of solmization by introducing the ut–re–mi–fa–so–la syllables, which derived from the initial syllables of each of the first six half-lines of ...

  8. Yakshagana Tala - Wikipedia

    en.wikipedia.org/wiki/Yakshagana_Tala

    A set of syllables representing the basic rhythm of taala is called 'Badtige' or 'Tatkaara'. The variations of a particular taala are called 'Nade' (movement) which is similar to Kaida in Tabla . [ citation needed ]

  9. Lexical lists - Wikipedia

    en.wikipedia.org/wiki/Lexical_lists

    tu-ta-ti, Old-Babylonian sign-list, with three syllables in u-a-i sequence, 3 versions [3]: 44 ù = anāku , a neo-Babylonian grammatical text [MSL IV, 129 [ p 14 ] ] Ugu-mu, "my cranium", list of around 250 body parts ordered from head to foot, physiognomy and physiological conditions, in use from the Old Babylonian to the Kassite period [ 23 ...