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  2. Artex - Wikipedia

    en.wikipedia.org/wiki/Artex

    Until 1984, [4] the Artex coating was made with white asbestos (Chrysotile) to strengthen it. This material is only harmful when in a powder form, such as when being sanded or while drilling holes, and poses no risk while it is undisturbed on ceilings or walls and covered with emulsion paint.

  3. Tin ceiling - Wikipedia

    en.wikipedia.org/wiki/Tin_ceiling

    Pressed tin ceiling over a store entrance in Bellingham, Washington, U.S.A.. A tin ceiling is an architectural element, consisting of a ceiling finished with tinplate with designs pressed into them, that was very popular in Victorian buildings in North America in the late 19th and early 20th century. [1]

  4. Painted ceiling - Wikipedia

    en.wikipedia.org/wiki/Painted_ceiling

    A painted ceiling is a ceiling covered with an artistic mural or painting. They are usually decorated with fresco painting, mosaic tiles and other surface treatments. While hard to execute (at least in situ) a decorated ceiling has the advantage that it is largely protected from damage by fingers and dust.

  5. 27 Fixes For Eyesores That Tell Us You’re Lazy Without ...

    www.aol.com/27-ways-hide-eyesores-effort...

    My tub tiles at the bottom were falling out and needless to say I stuck them back with glue. ... #20 All Surface Metallic Spray Paint Can Bring New Life To Your Old ... #23 Take Back Your Garage ...

  6. Scottish Renaissance painted ceilings - Wikipedia

    en.wikipedia.org/wiki/Scottish_Renaissance...

    Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France , Spain and Scandinavia . [ 1 ]

  7. Fresco - Wikipedia

    en.wikipedia.org/wiki/Fresco

    Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall.