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The Mucha museum was founded by Sebastian Pawlowski, a Swiss entrepreneur who had bought and renovated Kounice Palace . He approached John Mucha with the idea for a gallery of Mucha works. [1] The museum was opened in February 1998 by the Muchovo Muzeum s.r.o, a Czech company, containing works from the Mucha Trust Collection.
Alfons Maria Mucha [1] [2] (Czech: [ˈalfons ˈmuxa] ⓘ; 24 July 1860 – 14 July 1939), [3] known internationally as Alphonse Mucha, was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah ...
Alphonse Mucha working on the cycle in 1920. Mucha's The Slav Epic in the National Gallery of Prague. The Slav Epic (Czech: Slovanská epopej) is a cycle of 20 large canvases painted by Czech Art Nouveau painter Alphonse Mucha between 1910 and 1928. The cycle depicts the mythology and history of Czechs and other Slavic peoples.
The Seasons or Four Seasons is the name of three different color lithograph series produced by Czech visual artist Alphonse Mucha. They were produced in 1896, 1897, and 1900. They were produced in 1896, 1897, and 1900.
This is a truncated, illustrated list of works by Alphonse Maria Mucha, and shows few examples of the many iconic images for which he is famous. The list does not include all of Mucha's 1910-1928 series The Slav Epic.
It was vividly expressed in the Paris metro stations and posters of Alphonse Mucha. Two landmark rooms in the Art Nouveau style are displayed in the museum; a private dining room in the Art Nouveau from the Café de Paris (1899), and the jewellery shop of Georges Fouquet, designed by Alphonse Mucha (1901). [50]
The Fin-de-Siècle Museum (French: ... Nature, Alphonse Mucha, 1899–1900. Three-armed dandelion lamp, Antonin Daum and Louis Majorelle, 1902. See also.
Among her notable early sculptures are busts of Alphonse Mucha and Dinah, the Bronx Zoo's first gorilla. [6] In 1926, Edgar L. Hewett, director of the School of American Research invited her to settle in Santa Fe, New Mexico, where she was given studio space at the Museum of New Mexico. [7]