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"With a strong hand and an outstretched arm" (Hebrew: בְּיָד חֲזָקָה וּבִזְרוֹעַ נְטוּיָה) [1] is a phrase used in the Bible to describe God's use of his power on behalf of Israel, particularly during the Exodus.
Moloch, Molech, or Molek [a] is a word which appears in the Hebrew Bible several times, primarily in the Book of Leviticus. The Bible strongly condemns practices that are associated with Moloch, which are heavily implied to include child sacrifice .
A virtually unique mosaic depiction of the Ark of the Covenant (806) at Germigny-des-Prés, also features the hand of God. In Christian art the hand will often actually represent the hand of God the Son, or the Logos; this is demonstrated when later depictions start to substitute for the Hand a small half-length portrait of Christ as Logos in a ...
Orans, a loanword from Medieval Latin orans (Latin: [ˈoː.raːns]) translated as "one who is praying or pleading", also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
The image formed part of the subject of the Mass of Saint Gregory; by 1350 the Roman icon was being claimed as a contemporary representation of the vision. [5] In this image the figure of Christ was typical of the Byzantine forerunners of the Man of Sorrows, at half length, with crossed hands and head slumped sideways to the viewer's left.
God Inviting Christ to Sit on the Throne at His Right Hand, painting by Pieter de Grebber (1645). The Holy Spirit is visible as a dove at the top of the image.. The right hand of God is a phrase used in the Bible and common speech as a metaphor for the omnipotence of God and as a motif in art.
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
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