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Ecofiction (also "eco-fiction" or "eco fiction") is the branch of literature that encompasses nature or environment-oriented works of fiction. [1] While this super genre's roots are seen in classic, pastoral, magical realism, animal metamorphoses, science fiction, and other genres, the term ecofiction did not become popular until the 1960s when various movements created the platform for an ...
This article lists film and television works which feature or discuss the environment, environmentalism or environmental issues.. Some notable and commercially successful films have featured environmental themes [1] and are commemorated through several environmental film festivals held annually.
An intellectual travelogue, the film examines the gulf between the knowable and ineffable. It is a meditation on nature, technology [2] and a visual postcard from a corner of the country few Canadians ever get to see for themselves. Mettler used time-lapse photography to capture the dancing lights, and among other things, had to work in ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, video games and board games. An early film which was based on space-opera comic strips was Flash Gordon, created by Alex Raymond. [3] Perry Rhodan (1961–) is the most successful space opera book series ever written.
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According to Vivian Sobchack, a British cinema and media theorist and cultural critic: . Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method, interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion, in an attempt to reconcile man with the unknown.