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"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression , known as the " rhythm changes ", is the foundation for many other popular jazz tunes such as Charlie Parker 's and Dizzy Gillespie 's bebop standard "Anthropology (Thrivin' on a Riff)" .
"I Got Rhythm" and Billy Stewart's "Summertime" also formed Gershwin musical bookends for the same school year, based on the very same Hot 100 peak dates. Disc sales for both "See You in September" and "I Got Rhythm" exceeded one million copies, resulting in R.I.A.A. gold record awards by 1969.
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
One of the rare occasions Anderson sang independently of Ellington in this period was her performance of "All God's Children Got Rhythm" in the Marx Brothers film A Day at the Races (1937) for Metro-Goldwyn-Mayer. [2] [4] Owing to her chronic asthma, Anderson left Ellington's band in 1942.
"Get Rhythm" is a song written and recorded by American singer-songwriter and musician Johnny Cash. It was originally released as the B-side to the single release "I Walk the Line" in 1956 on Sun 241. It was re-released with overdubbed "live" effects in September 1969 as an A-side single and reached number 60 on the Billboard Pop chart.
It accounted for two singles: "Rock Me in the Rhythm of Your Love" (co-written by Robert Earl Keen [2]) and "Too Much Candy for a Dime", which were both unsuccessful on the charts. [2] Also included on the album was "Cajun Song", which featured Doug Kershaw on duet vocals and accordion. [ 42 ]