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For much of the 20th century, the Hill workshop employed England's best bow makers, who created bows renowned for character and consistency. Hill violins, cellos and cases are also highly regarded. Their other products included varnish cleaner, violin e-strings, rosin, peg paste, music stands, chinrests, and specialist tools.
Keith M. Peck (1953–1998) was a highly acclaimed American bow maker from Evanston, Illinois. His bows are used on instruments such as those created by master makers Giuseppe Guarneri, Giovanni Battista Guadagnini, Giovanni Grancino, Jean-Baptiste Vuillaume, and many others. Peck began playing cello at age nine. He assembled his first cello ...
Nikolai Ferdinandovich Kittel (1805/6 - 18 April 1868) [1] was a Russian violin and bow maker who is often still mistakenly considered as of German origin, and was known as the "Russian Tourte". According to the latest findings, his full name was Nikolai Ferdinandovich Kittel and that he was of Austrian origin as stated in his marriage certificate.
Dominique Peccatte (15 July 1810 – 13 January 1874) was a French luthier and above all a renowned bow maker. [1] He was apprenticed in Mirecourt and later worked with Jean-Baptiste Vuillaume . He is notable for adapting the "hatchet-shaped" type head — a model arrived at by Tourte — and is considered one of the most influential bow makers.
The French word for bowmaker (bow maker) is archetier, meaning one who makes bows of the string family of instruments such as violin, viola, cello and double bass. [1] The root of the word comes from archet—pronounced —the bow. A bow maker typically uses between 150 and 200 hairs from the tail of a horse for a violin bow.
James Tubbs (1835 – 1921) is one of the most celebrated English bow makers, and is considered "The English Tourte". Together with his son Alfred (d. 1912), he produced more than 5,000 bows. It is generally accepted that James Tubbs ranks among the five or six most important bow makers in history. [ 1 ] "