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Geisha wear kimono more subdued in pattern and colour than both regular women's kimono, and the kimono worn by apprentice geisha. Geisha always wear short-sleeved kimono, even if they are technically still young enough to wear furisode , as the wearing of furisode -style sleeves is considered a marker of apprenticeship.
The kosode was worn in Japan as common, everyday dress from roughly the Kamakura period (1185–1333) until the latter years of the Edo period (1603–1867), at which a point its proportions had diverged to resemble those of modern-day kimono; it was also at this time that the term kimono, meaning "thing to wear on the shoulders", first came ...
The traditional colors of Japan trace their historical origins to the Twelve Level Cap and Rank System which was established in 603 by Prince Shōtoku and based on the five Chinese elements. In this system, rank and social hierarchy were displayed and determined by certain colors.
Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi (白粉) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices. The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-.
Reference chart of jūnihitoe colour schemes (note: incomplete with some translation errors, but includes uwagi and karaginu colours) Reference chart of jūnihitoe colour schemes (note: complete, but written in Japanese characters and without uwagi/karaginu colour information) How a jūnihitoe is put on (thumbnail list links) Glossary
Most women's obi no longer keep the kimono closed, owing to their stiffness and width, and a number of ties worn under the obi keep the kimono in place. A woman's formal obi can be 30 centimetres (12 in) wide and more than 4 metres (13 ft) long, with the longest variety – the darari obi , nearing 6 metres (20 ft) in length – worn only by ...
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The couturier Paul Poiret was one of the first designers to translate this into the fashion world. Poiret's clients were at once transformed into harem girls in flowing pantaloons, turbans, and vivid colors and geisha in exotic kimono. Poiret also devised the first outfit which women could put on without the help of a maid. [11]