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More recently (2003), Mothibe, in a further contribution towards the cause of preservation, compiled and donated a second edition on litema designs entitled Basotho Litema Patterns (With Modifications) to the School of Design Technology and Visual Art of the Central University of Technology, Free State, providing an updated record of designs ...
Sotho woman wearing a brown shweshwe dress. Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [2] [3] Originally dyed indigo, the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.
African waxprints, West Africa Waxprints sold in a shop in West Africa Lady selling colourful waxprint fabrics in Togo "Afrika im Gewand - Textile Kreationen in bunter Vielfalt", African Textiles Exhibition Museum der Völker 2016. African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa.
the pattern was stamped on paper and hung above the lintel of a door in the palace. The King of Gyaman used to touch lintel, then his forehead, then his breast, repeating these words three times 74 Nyame dua: an altar to the Sky God 76 Nyame nwu na ma wu: May Nyame die before I die Non listed Obi nka obie: I offend no one without a cause 84 ...
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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
In 1991, Doris Weller and Meki Nwezi established the Ama Dialog near Onitsha, with a similar goal of creating a dialog between the modern and the traditional and the African and the European. The Ama Dialog created a collective of uli artists with the goal of transferring traditional designs onto paper and canvas and moving the focus of the ...
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