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Scotland portal; Pages in category "Scottish accordionists" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes ...
Various terms for the diatonic button accordion are used in different parts of the English-speaking world. In Britain and Australia, the term melodeon (Scottish Gaelic: meileòidean or am bogsa) is commonly used, [1] regardless of whether the instrument has one, two, or three rows of melody buttons.
The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century and early 20th century. The mid-19th-century accordion became a favorite of folk musicians for several reasons: "The new instrument's popularity [among the common masses] was a result of its unique qualities.
The accordion is one of several European inventions of the early 19th century that use free reeds driven by a bellows. An instrument called accordion was first patented in 1829 by Cyrill Demian in Vienna. [notes 4] Demian's instrument bore little resemblance to modern instruments. It only had a left-hand buttonboard, with the right hand simply ...
Owen is the son of Chrissie Leatham and the grandson of Peter Robertson Leatham. Chrissie Leatham was one of Scotland's greatest accordion players and teacher to many of Scotland's best known musicians including Kenny McGinty, Simon Thoumire, Phil Cunningham, Ian McPhail, Sandy Brechin, Jim Johnstone to name but a few.
Eydmann, Stuart "From the "Wee Melodeon" to the "Big Box": The Accordion in Scotland since 1945." The Accordion in all its Guises, 2001. Musical Performance Volume 3 Parts 2 – 4 pp. 107–125. Eydmann, Stuart The Life and Times of the Concertina: the adoption and usage of a novel musical instrument with particular reference to Scotland.