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"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5] Recording ... working out the chord structure for the verses. It's quite a ...
The songs on the album encompass a variety of musical genres, with elements of folk, blues, psychedelia, and hard rock. [11] The "riff-heavy" nature of tracks such as "Locomotive Breath", "Hymn 43" and "Wind Up" is regarded as a factor in the band's increased success after the release of the album, with Jethro Tull becoming "a major arena act" and a "fixture on FM radio" according to AllMusic.
Martin Lancelot Barre [1] (/ b ɑː r /; born 17 November 1946) is an English guitarist best known for his longtime role as lead guitarist of British rock band Jethro Tull, with whom he recorded and toured from 1968 until the band's initial dissolution in 2011.
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Louder magazine praised the song for "providing the light relief" on the album, amongst songs like "Locomotive Breath" and the title track. [8] Anderson made a similar point in an interview, noting the combination of the "amusing surreal moments" of acoustic songs like "Mother Goose" and "Up to Me" balanced with the album's more "dramatic ...
Songs from the Wood is the tenth studio album by British progressive rock band Jethro Tull, released on 11 February 1977 by Chrysalis Records.The album is considered to be the first of three folk rock albums released by the band at the end of the 1970s, followed by Heavy Horses (1978) and Stormwatch (1979).
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...