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Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.
Some falsely used the names of famous artists or studios to mark pieces. [52] Early Japanese ceramics rarely had stamps or signatures, which can make dating some Satsuma ware difficult. [53] One characteristic of earlier pieces, however, is a high-quality glaze and finish, as later mass production led to dramatically inferior works. [54]
Shōji Hamada (濱田 庄司, Hamada Shōji, December 9, 1894 – January 5, 1978) was a Japanese potter. He had a significant influence on studio pottery of the twentieth century, and a major figure of the mingei (folk-art) movement, establishing the town of Mashiko as a pottery centre. [1] In 1955 he was designated a "Living National Treasure".
Mishima ware (三島焼) refers to different types of imported and adopted Japanese pottery. Mishima originally refers to the shimamono pottery imported from the islands of Taiwan, Luzon, and "Amakawa" . They were characterized by being roughly-made and often uneven, thus epitomizing the Japanese aesthetic of wabi-sabi.
Oribe ware (also known as 織部焼 Oribe-yaki) is a style of Japanese pottery that first appeared in the sixteenth century. It is a type of Japanese stoneware recognized by its freely-applied glaze as well as its dramatic visual departure from the more somber, monochrome shapes and vessels common in Raku ware of the time. [1]
However, these 17th-century wares are similar to some contemporary Imari ware, with a grayish tint to the porcelain body, [3] and very different from the style that was to make Hirado famous. A crucial development came in 1712, when a potter from the Hirado villages discovered a better source of kaolin on the Amakusa islands off the coast.