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The "flaring" eagle feather bonnet is often made of golden eagle tail feathers connected to a buckskin or felt crown. There are slits at the base of the crown that allow the bonnet to have a "flaring" look. An unusual form of bonnet is the "fluttering feather" bonnet, with the feathers loosely attached to a felt or buckskin cap, hanging at the ...
In some Native American and First Nations cultures, a dreamcatcher (Ojibwe: ᐊᓴᐱᑫᔒᓐᐦ, romanized: asabikeshiinh, the inanimate form of the word for 'spider') [1] is a handmade willow hoop, on which is woven a net or web. It may also be decorated with sacred items such as certain feathers or beads.
The Native American bustle is a traditional part of a man's regalia worn during a dance exhibition or wachipi and originates from the Plains region of the United States. In its modern form, the men's bustle is typically made of a string of eagle or hawk feathers attached to a backboard.
Kokopelli (/ ˌ k oʊ k oʊ ˈ p ɛ l iː / [1]) is a fertility deity, usually depicted as a humpbacked flute player (often with feathers or antenna-like protrusions on his head), who is venerated by some Native American cultures in the Southwestern United States. Like most fertility deities, Kokopelli presides over both childbirth and agriculture.
Animals figure significantly in Choctaw mythology, as they do in most Native American myth cycles. For example, in Choctaw history, solar eclipses were attributed to black squirrels, and maize was a gift from the birds. [9] Heloha (thunder) and Melatha (lightning) were responsible for the dramatic thunderstorms.
The thunderbird is said to create thunder by flapping its wings (Algonquian [2]), and lightning by flashing its eyes (Algonquian, Iroquois [3]).Across cultures, thunderbirds are generally depicted as birds of prey, or hybrids of humans and birds. [1]
The primary non-Native source for academic information on Zuni fetishes is the Second Annual Report of the Bureau of Ethnology submitted in 1881 by Frank Hamilton Cushing and posthumously published as Zuni Fetishes in 1966, with several later reprints.
After evenly clipping them, she would tie a cloth around the basket and leave it for two or three days after which the feathers would lie flattened around the entire outside surface. [15] One particular basket made by Annie Dick Boone (1889-1960) of the Upper Lake Rancheria incorporated 233, one-quarter inch feathers. [16]