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Lent et triste (C major) Lent et grave (A minor) The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully" ( douloureux ), "sadly" ( triste ), or "gravely" ( grave ).
Des pas sur la neige: Triste et lent (Footsteps in the Snow) 6. Général Lavine – eccentric: Dans le style et le mouvement d'un Cakewalk. 7. Ce qu'a vu le vent d'ouest: Animé et tumultueux (What the West Wind Has Seen) 7. La terrasse des audiences du clair de lune: Lent (The Terrace of Moonlight Audiences) 8.
Danseuses de Delphes (Lent et grave) play ⓘ Voiles (Modéré) Le Vent dans la plaine (Animé) "Les Sons et les parfums tournent dans l'air du soir" (Modéré) Les Collines d'Anacapri (Très modéré) Des pas sur la neige (Triste et lent) Ce qu'a vu le vent d'Ouest (Animé et tumultueux) La Fille aux cheveux de lin (Très calme et doucement ...
In “Wait for History,” they fill an instrumental interlude with a scientist discussing the origin of the universe played under Erik Satie’s famous “Lent et douloureux,” which is the ...
The tempo markings are "Animé et très rythmé – Un peu plus animé – Modéré mais toujours très rythmé – Tempo I – De plus en plus sonore et en serrant le mouvement – Même Mouvement." [23] According to Debussy: "Fêtes" gives the vibrating, dancing rhythm of the atmosphere with sudden flashes of light.
No. 1. (Lent Et Douloureux) (ISAN) Rooftops (DeeB) Distant Eyes (Synkro (2)) So Distant (Himalia) Stockholmsnatt (Farbror Resande Mac) Compendium (Brand New Start) Raindust (Asura) The Swimmer (Phil France) Der Himmel U-ber Berlin (Solo Piano Version) (Raffaele Attanasio) Stars (Yosi Horikawa) Breakfast (Thomas Prime Featuring James Rose)
The significance of the Lenten shrouds has been explained in a variety of ways. [7] The French liturgist Prosper Guéranger explained that "the ceremony of veiling the Crucifix, during Passiontide, expresses the humiliation, to which our Saviour subjected himself, of hiding himself when the Jews threatened to stone him, as is related in the Gospel of Passion Sunday".
The initial Lent et triste instruction is interpreted as 'slow and sad'. This instruction compliments the weary and hopeless imagery created by the text and supported by the accompaniment. This instruction compliments the weary and hopeless imagery created by the text and supported by the accompaniment.