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Erik Satie. In this list of Erik Satie's musical compositions, those series or sets comprising several pieces (e.g., Gnossienne 1, Gnossienne 2, etc.) with nothing but tempo indications to distinguish the movements by name, are generally given with the number of individual pieces simply stated in square brackets.
Ballets to the music of Erik Satie (1 P) G. Gymnopédies (1 C, 1 P) I. Incidental music by Erik Satie (4 P) S. Song cycles by Erik Satie (4 P)
Eric Alfred Leslie Satie [n 1] (17 May 1866 – 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French ...
Compositions and Writings by Erik Satie. Subcategories. This category has the following 2 subcategories, out of 2 total. C. ... Pages in category "Works by Erik Satie"
Erik Satie (1891), by Ramon Casas. The Gnossiennes (French pronunciation:) are several piano compositions by the French composer Erik Satie in the late 19th century. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. The form was invented by ...
The Pièces froides (Cold Pieces) are two sets of piano pieces composed in March 1897 by Erik Satie. Unpublished until 1912, they marked Satie's break from the mystical-religious music of his "Rosicrucian" period (1891–95), and were a harbinger of his humoristic piano suites of the 1910s. Erik Satie in his "Velvet Gentleman" garb of the late ...
Erik Satie. The Trois petites pièces montées (Three Little Stuffed Pieces) is a suite for small orchestra by Erik Satie, inspired by themes from the novel series Gargantua and Pantagruel by François Rabelais. It was premiered at the Comédie des Champs-Élysées in Paris on February 21, 1920, conducted by Vladimir Golschmann.
Erik Satie, self-portrait sketch with his quote, "I came into the world very young, in an age that was very old" The Enfantines are three sets of beginner piano pieces by Erik Satie, "written with the aim of preparing children for the sound patterns of modern music." [1] They were composed in October 1913 and published the following year. Two ...