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Tower music is a musical performance from the top of a tower. It can also designate the music composed for or played in such a performance. In the early European Middle Ages, musical instruments on towers were used to warn of danger and mark the passage of time.
Tower Music (also known as Musique de la Tour), is a musical project and album (2016) by composer and musician Joseph Bertolozzi.The project used microphones placed on the surfaces of the Eiffel Tower to capture the sounds of the tower.
Tower Records is an international retail franchise and online music store [1] that was formerly based in Sacramento, California, United States.From 1960 until 2006, Tower operated retail stores in the United States, which closed when Tower Records filed for bankruptcy and liquidation.
Tower Records was an American record label active from 1964 to 1970. A subsidiary of Capitol Records, Tower often released music by artists who were relatively low-profile in compared to those released on the parent label, including artists—such as The Standells and The Chocolate Watchband—later recognized as "garage bands".
WaterTower Music Inc. (formerly New Line Records from 2000 to 2010) is an American record label serving as the in-house music label run by entertainment company Warner Bros., ultimately owned by Warner Bros. Discovery. The name and logo are based on the iconic Warner Bros. Water Tower.
The film's production reportedly took seven years and was completed in 2015 only thanks to a $92,000 round of Kickstarter funding. [4] Hanks settled on the film's title after driving by an old Tower Records store and seeing a sign that had been put up by a former employee: "All Things Must Pass Thanks Sacramento".
Russell Malcolm Solomon (() September 22, 1925 – March 4, 2018) [1] was an American entrepreneur and most notable as the founder of the worldwide retail music store empire, Tower Records. Personal life
The Lord of the Rings: The Two Towers: Original Motion Picture Soundtrack was released on 10 December 2002.The score was composed, orchestrated, and conducted by Howard Shore, and performed by the London Philharmonic Orchestra, the London Voices, and the London Oratory School Schola. [1]