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The headstock has the original design “Custom” logo mentioned before. The neck pickup is a custom wound wide-range humbucker. Alnico 2 magnets were used, which more closely resemble the sound of the CuNiFe magnets used in the original Seth Lover pickup.
In 1968, Gibson re-introduced the Les Paul Custom as a two-pickup model. The headstock angle was changed from 17 to 14 degrees, a wider headstock and a maple top (in lieu of the original 1953–1961 solid-mahogany construction). In 1969, Norlin acquired Gibson, and the Les Paul Custom saw many changes in the "Norlin Era".
While the guitar was known as the Telecaster Custom, the decal on the headstock read "Custom Telecaster". Later editions of the Telecaster Custom were popularized by Rolling Stones' guitarist and composer Keith Richards, featuring a Fender Wide Range humbucker in the neck position and a single-coil pickup in the bridge. To distinguish this ...
The Peavey logo design on the headstock was developed in collaboration with the Art Center College of Design in Pasadena, with two wood samples of the headstock and confirmation from Eddie. [ 11 ] Another innovative feature DeCola designed was the recessed truss rod adjustment wheel.
The Crestwood was launched in 1958 by Epiphone. The guitar was a double cutaway solid-body construction in mahogany with dual New Yorker pickups, three-on-a-side headstock and a pickguard with the Epiphone logo. In late 1959 the guitar was renamed the Crestwood Custom and the body's edges were rounded off and the pickguard got a different design.
In addition, there were Hi-Fliers made that have all the characteristics of the Custom version, but are fitted with a standard "Univox" badge, with no Custom tag. This is likely due to the Hi-Flier Custom being created simply to use leftover stock badges from a previous Univox Custom model (a hollowbody 335-type guitar built in the early 1960s).