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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Black composer and musician Thomas A. Dorsey, became a highly influential figure in Black gospel music beginning in the 1920s and 1930s. He earned the title of the “Father of Gospel Music” for ...
It was recorded by Brewster's own group, the Brewster Singers, and by many other gospel performers including Edna Gallmon Cooke, Clara Ward, Sister Rosetta Tharpe, and The Staple Singers. Later recordings were made by Aretha Franklin, Dionne Warwick, and Sweet Honey in the Rock. Some of the recordings credit the writing of the song to Adeline ...
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...
"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
"Go with Me to That Land" or "Come and Go with Me (to That Land)" is a traditional gospel blues song recorded on April 20, 1930 by Blind Willie Johnson with backing vocals by Willis B. Harris, who may have been his first wife. It was released as a single on Columbia 14597-D,
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
Gospel Plow" (also known as "Hold On" and "Keep Your Hand on the Plow") is a traditional African American spiritual. It is listed in the Roud Folk Song Index , number 10075. The title is biblical, based on Luke 9:62.