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Ogle Winston Link [1] (December 16, 1914 – January 30, 2001), known commonly as O. Winston Link, was an American photographer, best known for his black-and-white photography and sound recordings of the last days of steam locomotive railroading on the Norfolk and Western in the United States in the late 1950s.
The 1940s Freedom Train exhibit was integrated—black and white viewers were allowed to mingle freely. When town officials in Birmingham, Alabama, and Memphis, Tennessee, refused to allow blacks and whites to see the exhibits at the same time, the Freedom Train skipped the planned visits, amid significant controversy.
The United States Department of Energy Nuclear Weapons Transport Train, known as the White Train, was used to transport nuclear weapons for most of the Cold War.From 1951 to 1987, the Department of Energy's Office of Secure Transportation (OST) used the train to move the weapons from the Pantex plant in the Texas panhandle, where they had been constructed. [1]
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles.
This page is part of Wikipedia's repository of public domain and freely usable images, such as photographs, videos, maps, diagrams, drawings, screenshots, and equations. . Please do not list images which are only usable under the doctrine of fair use, images whose license restricts copying or distribution to non-commercial use only, or otherwise non-free images
The Flying Scotsman is a 1929 British black and white part-talkie film set on the Flying Scotsman train from London to Edinburgh, also featuring the famous locomotive LNER Class A3 4472 Flying Scotsman. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along ...
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Behind the Gare Saint-Lazare (1932). Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. [1] It is one of his best known and more critically acclaimed photographs and ...