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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another.
It also stimulated a fashion for decorative objects and panels in revivalist style, and was one of the factors for the development of the applied arts and the high quality craftsmanship of Art Nouveau, besides having had a symbolic character of rapprochement between the elites inherited from the nobility and the bourgeoisie of the Third ...
Compared with the 17th century Baroque, Rococo implies a lighter and more playful decorative art; the nude female is frequently featured; chinoiserie is also fashionable. Some of the artists that are most often grouped as "Rococo" are listed below. See as well Régence, Louis XV of France, Palace of Versailles. Antoine Watteau (1684–1721) painter
In the mid-nineteenth century, the term rococo referred to a style recalling the ornament and design aesthetics of the Louis XV style and early Louis XVI style. [2] The period between 1715-1745, encompassing the reign of Louis XV, is generally accepted as the high point of the Rococo style in French art. A Rocaille ornament in Caen (France)
Pages in category "Rococo artists" This category contains only the following page. This list may not reflect recent changes. R. Bernard II van Risamburgh
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
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