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Saps at Sea is a 1940 American comedy film directed by Gordon Douglas, distributed by United Artists. It was Laurel and Hardy's last film produced by the Hal Roach Studios, as well as the last film to feature Ben Turpin and Harry Bernard.
(Hardy also appeared in three sound features without Laurel.) [3] Although they first worked together in the film The Lucky Dog (1921), this was a chance pairing and it was not until 1926 when both separately signed contracts with the Hal Roach film studio that they appeared in film shorts together. [4]
Following Hardy's death, scenes from Laurel and Hardy's early films were seen once again in theaters, featured in Robert Youngson's silent-film compilation The Golden Age of Comedy. For the remaining eight years of his life, Stan Laurel refused to perform, and declined Stanley Kramer 's offer of a cameo in his landmark 1963 film It's a Mad, Mad ...
A Chump at Oxford is a Hal Roach comedy film produced in 1939 and released in 1940 by United Artists. [2] It was directed by Alfred J. Goulding and is the penultimate Laurel and Hardy film made at the Roach studio. [3] [4] The title echoes the film A Yank at Oxford (1938), of which it is a partial parody.
Turpin starred in only one more film, the short subject Keystone Hotel (Warner Bros., 1935), a reunion of silent-era comedians. His last feature film was Laurel and Hardy's Saps at Sea in 1940, in which his cross-eyed face served as a joke punchline. He was paid his $1000 for one quick shot of his face and just 16 words of dialogue.
Babes in Toyland (1934 film) Bacon Grabbers; The Battle of the Century; Be Big! Beau Hunks; Below Zero (1930 film) Berth Marks; Big Business (1929 film) The Big Noise (1944 film) Block-Heads; Blotto (film) The Bohemian Girl (1936 film) Bonnie Scotland; Brats (1930 film) The Bullfighters; Busy Bodies
The film had cost $280,000 to produce. Producer Sol M. Wurtzel had enough confidence in Great Guns to sign Laurel and Hardy for additional features before the first one was released, and the handsome financial returns justified Wurtzel's judgment. [3] Alan Ladd appears briefly as a photo-store customer.
Most trade reviewers considered this par for the course, a typical Laurel & Hardy comedy. "The full bag of Laurel and Hardy tricks is unloaded in Air Raid Wardens," reported Motion Picture Daily; "Their adventures in bungle, evolving in the capture of Nazi spies, are replete with the team's characteristic antics, and exhibitors have the Laurel and Hardy marquee value as a focal point in ...