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Contemporary clowning is a school of physical comedy that emphasizes interactivity with the audience and surroundings, use of props and a level of absurdity. [1] [2] While it can overlap with the classic white-face school of clowning, the term also refers to a form of experimental comedy that is considered distinct.
It is a theatrical style that was developed as a derivative to the late eighteenth-century art movement 'Grotesque' and thus translates the themes and images of the grotesque art into theatrical practices. [1] 'Theatre of the Grotesque' rejects naturalism through surreal comedy, reconciling conventionally conflicting concepts. [2]
They viewed comedy as simply the "art of reprehension", and made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century, the term "comedy" gained a more general meaning in medieval literature. [8]
Comedy can be divided into multiple genres based on the source of humor, the method of delivery, and the context in which it is delivered. These classifications overlap, and most comedians can fit into multiple genres.
Poster for Charlie Chaplin's comedy film Modern Times (1936). The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. [1] Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is ...
The Modern Theatre Is the Epic Theatre’ incorporates early formulations of Brechtian conventions and techniques such as Gestus and the V-Effect (or Verfremdungseffekt). It employs an episodic arrangement rather than a traditional linear composition and encourages an audience to see the world as it is regardless of the context. [ 5 ]
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Lazzi (/ ˈ l ɑː t s i /; from the Italian lazzo, a joke or witticism) are stock comedic routines that are associated with commedia dell'arte.Performers, especially those playing the masked Arlecchino, had many examples of this in their repertoire, and would use improvisatory skills to weave them into the plot of dozens of different commedia scenarios.