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From 1965–1968 and from 1972–1982 he headed the photography department at Norwich School of Art while working on independent projects. Henderson produced most of his work in series connected by a single visceral image. One of his series named "Face at the Window" focused on the image of a bandaged face which Henderson found on a cigarette card.
Blackface in contemporary art covers issues from stage make-up used to make non-black performers appear black [1] (the traditional meaning of blackface), to non-black creators using black personas. [ 2 ] [ 3 ] Blackface is generally considered an anachronistically racist performance practice, [ 4 ] despite or because of which it has been widely ...
This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons. Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art. In recent times, graphical icons, both static and animated, have joined the traditional text-based emoticons; these are commonly known as ...
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The Scream (Norwegian: Skrik) is the popular name given to each of four versions of a composition, created as both paintings and pastels, by the Expressionist artist Edvard Munch.
Art Deco mascaron above the door of Rue Mademoiselle no. 40, Paris, c.1930. In architecture and the decorative arts, a mascaron ornament is a face, usually human, sometimes frightening or chimeric, whose alleged function was originally to frighten away evil spirits so that they would not enter the building. [1]
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Stevie Wonder used the word in the album version (but not the single version) of his 1973 song "Living for the City." Freddie Mercury used the word in Queen's song "The March of the Black Queen" from the 1974 album Queen II. In 1975 Betty Davis used the word in her song "F.U.N.K."; Bob Dylan used the word in his song "Hurricane". [33]