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Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter . The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation .
Chromolithography is a method for making multi-colour prints. This type of colour printing stemmed from the process of lithography, [1] and includes all types of lithography that are printed in colour. [citation needed] When chromolithography is used to reproduce photographs, the term photochrome is frequently used.
Multi-color printing was introduced by a new process developed by Godefroy Engelmann (France) in 1837 known as chromolithography. [3] A separate stone was used for each color, and a print went through the press separately for each stone. The main challenge was to keep the images aligned (in register). This method lent itself to images ...
Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu , who produced many nishiki-e prints between 1765 and his death five years later.
When making a multi-color print with a spot color process, every spot color needs its own lithographic film. All the areas of the same spot color are printed using the same film, hence, using the same lithographic plate. The dot gain, hence the screen angle and line frequency, of a spot color vary
Woodblock printing on textiles preceded printing on paper in both East Asia and Europe, and the use of different blocks to produce patterns in color was common. The earliest way of adding color to items printed on paper was by hand-coloring, and this was widely used for printed images in both Europe and East Asia.
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