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The later sixteenth-century poet Edmund Spenser wrote his Hymn of Heavenly Beauty using rhyme royal, but he also created his own Spenserian stanza, rhyming ABABBCBCC, partly by adapting rhyme royal. The Spenserian stanza varies from iambic pentameter in its final line, which is a line of iambic hexameter, or in other words an English alexandrine .
In a traditional French triolet, the second and third non-repeating lines rhyme with the repeating first, fourth, and seventh lines, while the non-repeating sixth line rhymes with the second and eighth repeating lines. However, especially in German triolets of the 18th and 19th centuries, one will see this pattern often violated. [1]
The poem only has the guise of a love poem, but instead is about the more universal theme, fortune (39). Smaller questions are posed by the words Wyatt uses such as "stalking," which has transformed in meaning over time from simple soft walking in Tudor times (23) to its meaning today, of following someone with the intention of doing them harm. [8]
The creativity with which a poet incorporates homonymous meanings of their takhallus to offer additional layers of meaning to the couplet is an indicator of their skill. Bahr: Each line of a ghazal must follow the same metrical pattern and syllabic (or morae) count. Other optional rules include:
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [ 9 ] However, in the matla , the first she'r of a ghazal, the radif will end both lines of the she'r.
Another possible influence is rhyme royal, a traditional medieval form used by Geoffrey Chaucer and others, which has seven lines of iambic pentameter that rhyme ABABBCC. The most likely influence, however, is the eight-line ballad stanza with the rhyme scheme ABABBCBC, which Chaucer used in his Monk's Tale.
Rhymes may be classified according to their position in the verse: Tail rhyme (also called end rhyme or rime couée) is a rhyme in the final syllable(s) of a verse (the most common kind). Internal rhyme occurs when a word or phrase in the interior of a line rhymes with a word or phrase at the end of a line, or within a different line.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...