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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Hiroshi Nagai (Japanese: 永井博, born December 22, 1947) is a Japanese graphic designer and illustrator, known for his cover designs of city pop albums in the 1980s, which established the recognizable visual aesthetic associated with the loosely defined music genre.
The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
Subject matter ranges from portraits, figurative art, still life, landscapes, cityscapes and narrative scenes. The more recent hyperrealist style is much more literal than photorealism as to exact pictorial detail with an emphasis on social, cultural or political themes.
Cityscape art (painting, photography, drawing, etc.) depicts scenery such as cities and towns (urban landscapes). Subcategories This category has the following 2 subcategories, out of 2 total.
It is one of three known paintings of Delft by Vermeer, along with The Little Street and the lost painting House Standing in Delft, [2] and his only cityscape. [3] According to art historian Emma Barker, cityscapes across water, which were popular in the Netherlands at the time, celebrated the city and its trade. [ 4 ]
The 18th century was a flourishing period for cityscape painting in Venice (Canaletto, Guardi). At the end of the 19th century the impressionists focused on the atmosphere and dynamics of everyday life in the city. Suburban and industrial areas, building sites and railway yards also became subjects for cityscapes.
Metropolis features a range of elaborate special effects and set designs, ranging from a huge gothic cathedral to a futuristic cityscape. In an interview, Fritz Lang reported that "the film was born from my first sight of the skyscrapers in New York in October 1924".