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The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
Act: A division of a play, may be further broken down into "scenes". Also, what the performers do on-stage. [1] Ad-lib: When a performer improvises line on-stage. Derived from ad libitum (Latin). [1] Aisle: An open space amongst seating for passage. [2] Alternate: see Understudy.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme ...
His shuffling feet, choice of themes, self-torturing reminiscence and intense reactions to much of what Words and Music produce/perform all seem to indicate that he is a decrepit version of Orsino with his famous opening line from Twelfth Night: "If music be the food of love, play on," [8] a hopeless romantic, in love with love, and the ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
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The Jerome Robbins ballet Fancy-Free (1944), with music by Leonard Bernstein, was a hit for the American Ballet Theatre, and Oliver Smith, who designed the sets; his business partner, Paul Feigay, thought that the ballet could be turned into a Broadway musical.