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The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase end, especially when occurring in the middle of a line. A masculine caesura follows a stressed syllable while a feminine caesura follows an unstressed syllable.
Significantly, they allowed an "epic caesura" — an extrametrical mute e at the close of the first hemistich (half-line), as exemplified in this line from the medieval Li quatre fils Aymon: o o o o o S(e) o o o o o S Or sunt li quatre frère | sus el palais plenier [ 4 ] o=any syllable; S=stressed syllable; (e)=optional mute e; |=caesura
As is typical of Old English verse, the metre of the poem is alliterative and consists of four-stress lines, divided between the second and third stresses by a caesura. Each caesura is indicated in the manuscript by a subtle increase in character spacing and with full stops, but modern print editions render them in a more obvious fashion. It is ...
Pāli poetry follows very similar patters as Sanskrit poetry, in terms of prosody, vocabulary, genres, and poetic conventions; indeed several Pāli authors were well conversant with Sanskrit and even composed works in that language (such as, for example, the Anuruddhaśataka).
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
As with Seneca, a caesura after the 5th element ensures a regular word-accent on the 4th and 6th element. Resolved elements are used sparingly. The iambic distich is the basis of many poems of a genre known as Iambus, in which the poet abuses and censures individuals or even communities, whether real or imaginary. Iambic rhythms were felt to be ...
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There is usually a caesura or word-break after either the 5th or the 7th syllable. In later poets, such as Persius , Martial , and Ausonius , resolution was used more freely, in any of the first four longa , and sometimes the first foot might be an anapaest (u u –).