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13th chords may less often be built on degrees other than the dominant, such as the tonic or subdominant. [6] Lennie Tristano's ending to "I Found a New Baby" (recorded 1946) is a "tonic thirteenth chord" [10] in lydian. Play ⓘ While the dominant thirteenth is the most common thirteenth chord, the major thirteenth is also fairly common. [11]
A thirteenth chord (E 13) "collapsed" into one octave results in a dissonant, seemingly secundal [1] tone cluster. Play ⓘ In music, extended chords are certain chords (built from thirds) or triads with notes extended, or added, beyond the seventh. Ninth, eleventh, and thirteenth chords are extended chords. [2]
Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad ...
A very common voicing on guitar for a 13th chord is just the root, third, seventh and 13th (or sixth). For example: C–E–(G)–B ♭ –(D)–(F)–A, or C–E–(G)–A–B ♭ –(D)–(F). On the piano, this is usually voiced C–B ♭ –E–A. The table below shows the names, symbols, and definitions for some thirteenth chords, using C ...
As their categorical name suggests, extended chords indeed extend seventh chords by stacking one or more additional third-intervals, successively constructing ninth, eleventh, and finally thirteenth chords; thirteenth chords contain all seven notes of the diatonic scale. In closed position, extended chords contain dissonant intervals or may ...
The sixth inversion of a thirteenth chord is the highest possible diatonic inversion, since the diatonic scale has seven notes. (The "seventh" inversion of the dominant thirteenth chord is root position.) Higher inversions would require chromaticism and either nonscale tones or scales with more than seven tones.
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I Found a New Baby 13th chord.png 519 × 170; 6 KB I'd Like to Teach the World to Sing secondary dominant.png 528 × 179; 6 KB Krenek's chord classification from Studies in Counterpoint.png 328 × 303; 25 KB