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According to the Cuban popular music "Generic complex theory", Cuban folk music is classified as follows: Punto cubano Complex, with its variations Punto libre y Punto fijo. Rumba Complex, with its components Yambú, Guaguancó, Columbia, Conga and Comparsa. Danzón Complex, with its variants Contradanza, Danzón, Danzonete, Mambo and Cha-cha-chá.
Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. [1] According to nueva trova musician Noel Nicola , Cuban trovadors sang original songs or songs written by contemporaries, accompanied themselves on ...
[8] p181 Aside from rural music and Afro-Cuban folk music, the most popular kind of urban Creole dance music in the 19th century was the contradanza, which commenced as a local form of the English country dance and the derivative French contredanse and Spanish contradanza. While many contradanzas were written for dance, from the mid-century ...
On the other side of the spectrum, Carlos Varela is famous in Cuba for his open criticism of some aspects of Castro's revolution. Nueva Trova was dealt a blow by the fall of the Soviet Union . It became less popular inside Cuba and also externally, in vivid contrast to the Buena Vista Social Club film and recordings, highlighting the ...
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This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term folk music can not be easily defined in a precise manner; it is used with widely varying definitions depending on the author, intended audience and context within a work.
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Quelbe is a form of Virgin Islander folk music that originated on St. Croix, now most commonly performed by groups called scratch bands. Traditionally, however, quelbe was performed informally by solo singers at festivals and other celebrations. Hidden meanings and sexual innuendos were common, and lyrics focused on political events like boycotts.